{"id":59,"date":"2011-10-12T15:03:58","date_gmt":"2011-10-12T13:03:58","guid":{"rendered":"http:\/\/localhost\/wordpress\/?page_id=59"},"modified":"2020-11-28T14:42:46","modified_gmt":"2020-11-28T14:42:46","slug":"revelation-two-monitor","status":"publish","type":"page","link":"https:\/\/www.audioexcite.com\/?page_id=59","title":{"rendered":"Revelation Two &#8211; Monitor"},"content":{"rendered":"<h3><span style=\"color: #3366ff;\"><strong>Concept:<\/strong><\/span><\/h3>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Cabinet-front-448x336.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-898 aligncenter\" style=\"border: 0pt none;\" title=\"Cabinet front 448x336\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Cabinet-front-448x336.jpg\" alt=\"\" width=\"245\" height=\"183\" \/><\/a><span style=\"color: #666699;\"><strong>Revelation Two &#8211; Monitor<\/strong><\/span> is a medium sized 2-way stand-mount loudspeaker for small\u00a0 to medium sized listening rooms. It offers several tuning options like two different bass-reflex tunings as well as a closed box version. The tweeter can be fine tuned to five different levels according to personal preferences and taste.<\/p>\n<h3><span style=\"color: #3366ff;\"><strong>Loudspeaker driver units:<\/strong><\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #666699;\"><strong>Revelation Two &#8211; Monitor<\/strong><\/span> uses two driver units from ScanSpeak. The mid-woofer 15W\/4531G00 and the tweeter D2608\/913000. The 15W\/4531G00 is one of the best mid-woofers available to the DIY market. It has a nice low extension and a remarkable mid-range presentation, a class of its own.<\/p>\n<p>The D2608\/913000 has an effortless vivid sound with a nice top-end sparkle without ever sounding exaggerated or harsh. The two drivers blend very nicely with each other.<\/p>\n<p>For further details see:<\/p>\n<p><a href=\"https:\/\/www.audioexcite.com\/?page_id=445\">15W\/4531G00<\/a><\/p>\n<p><a href=\"https:\/\/www.audioexcite.com\/?page_id=447\">D2608\/913000<\/a><\/p>\n<h3><span style=\"color: #3366ff;\"><strong>Cabinet:<\/strong><\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #666699;\"><strong>Revelation Two &#8211; Monitor<\/strong><\/span> uses a 14 liter &#8220;Dayton Audio&#8221; enclosure. This is a very nicely built curved cabinet with a 25mm (1&#8243;) MDF front-baffle. The enclosure walls are made of 18mm MDF as well as a 15mm brace from the bottom to the top. The enclosure net volume is around 13 liters (enclosure volume &#8211; drivers, filter and port).<\/p>\n<p>Cabinet drawing: <a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/302-721-dayton-audio-twc-050bk-specifications-459331.pdf\">Dayton 14 liters Curved Cabinet #302-721<\/a><\/p>\n<p>The internal cabinet walls are taped with strings of bitumen pads to reduce resonances. The enclosure is lightly filled with sheep wool. All drivers are flush mount and in order to let the mid-woofer &#8220;breathe&#8221; properly, don&#8217;t forget to chamfer the baffle.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Baffle drawing and driver unit layout:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Chamfered baffle:<br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/chamfer.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-856\" title=\"chamfer\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/chamfer.jpg\" alt=\"\" width=\"226\" height=\"169\" \/><\/a><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Baffle-layout.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1367\" title=\"Baffle layout\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Baffle-layout.jpg\" alt=\"\" width=\"310\" height=\"225\" \/><\/a><\/p>\n<h3><span style=\"color: #3366ff;\"><strong>Box simulation:<\/strong><\/span><\/h3>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Revelation-Two-Monitor-Compare.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-727 aligncenter\" title=\"Revelation Two - Monitor - Box Tuning Compare\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Revelation-Two-Monitor-Compare.jpg\" alt=\"\" width=\"601\" height=\"295\" \/><\/a>There are three different box tuning options in order to satisfy different bass preferences and room tuning options.<\/p>\n<p><strong>Option 1:<\/strong><\/p>\n<p>13 liter closed box with Qt = 0,7 (anechoic response)<\/p>\n<p>-6db = 51Hz<\/p>\n<p>-12db = 34Hz<\/p>\n<p><strong>Option 2 (reference):<\/strong><\/p>\n<p>13 liter bass-reflex box with Fb = 39Hz (anechoic response)<\/p>\n<p>-6db = 35Hz<\/p>\n<p>-12db = 28Hz<\/p>\n<p><strong>Option 3:<\/strong><\/p>\n<p>11.5 liter bass-reflex box with Fb = 44Hz (anechoic response)<\/p>\n<p>-6db = 39Hz<\/p>\n<p>-12db = 31Hz<\/p>\n<p>The closed box version has a surprisingly high bass performance when room gain is included. In my room the bass-reflex <strong>option 2<\/strong> fits my taste best. It goes remarkable low and sounds almost like a much bigger floor-stander. For those who wants a bit more\u00a0 bass punch at the expense of some low end extension, the <strong>option 3<\/strong> is more suitable. In <strong>option 3<\/strong> and when using Dayton Audio cabinets, it&#8217;s necessary to reduce the internal box volume by 1.5 liter\u00a0 with something solid.<\/p>\n<h3><span style=\"color: #3366ff;\"><strong>Cross-over design:<\/strong><\/span><\/h3>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Cross-over-schema_Revelator-Two-Monitor-v3.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-692 aligncenter\" title=\"Cross-over schema_Revelator Two - Monitor v1.1\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Cross-over-schema_Revelator-Two-Monitor-v3.jpg\" alt=\"\" width=\"534\" height=\"362\" \/><\/a><\/p>\n<p>The cross-over is very simple and consist of a 12db\/octave electrical filter for the mid-bass and a 18db\/octave filter for the tweeter to achieve a 4th order acoustical (24db\/oct)\u00a0Linkwitz Riley cross-over slope. The tweeter has a simple L-Pad circuit in order to dampen the tweeter level. This L-Pad can be changed to adjust the tweeter level +\/- 2db.<\/p>\n<p><span style=\"color: #000000;\"><strong>Tweeter level options:<\/strong><\/span><\/p>\n<p>The tweeter level can be adjusted by changing the <strong>R1<\/strong> and <strong>R2<\/strong> resistor values as follows.<\/p>\n<p><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-TW-axis_15deg_+2db_Revelator-Two-Monitor.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-701\" title=\"Freq - TW-axis_15deg_+2db_Revelator Two - Monitor\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-TW-axis_15deg_+2db_Revelator-Two-Monitor.jpg\" alt=\"\" width=\"476\" height=\"362\" \/><\/a><\/p>\n<p><strong>+2db<\/strong><\/p>\n<p>R1 = 2.2\u03a9<\/p>\n<p>R2 = 6.8\u03a9<\/p>\n<p>Max linearity<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-TW-axis_15deg_+1db_Revelator-Two-Monitor.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-702\" title=\"Freq - TW-axis_15deg_+1db_Revelator Two - Monitor\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-TW-axis_15deg_+1db_Revelator-Two-Monitor.jpg\" alt=\"\" width=\"476\" height=\"362\" \/><\/a><\/p>\n<p><strong>+1db<\/strong><\/p>\n<p>R1 = 2.7\u03a9<\/p>\n<p>R2 = 5.6\u03a9<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-TW-axis_15deg_0db-Ref_Revelator-Two-Monitor.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-703\" title=\"Freq - TW-axis_15deg_0db Ref_Revelator Two - Monitor\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-TW-axis_15deg_0db-Ref_Revelator-Two-Monitor.jpg\" alt=\"\" width=\"476\" height=\"362\" \/><\/a><\/p>\n<p><strong>0db Reference level<br \/>\n<\/strong><\/p>\n<p>R1 = 3.3\u03a9<\/p>\n<p>R2 = 4.7\u03a9<\/p>\n<p>The frequency response is optimized around the 15 degree off-axis measurement. This results in a cross-over frequency of 2900Hz.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-TW-axis_15deg_-1db_Revelator-Two-Monitor.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-704\" title=\"Freq - TW-axis_15deg_-1db_Revelator Two - Monitor\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-TW-axis_15deg_-1db_Revelator-Two-Monitor.jpg\" alt=\"\" width=\"476\" height=\"362\" \/><\/a><\/p>\n<p><strong>-1db<\/strong><\/p>\n<p>R1 = 3.9\u03a9<\/p>\n<p>R2 = 4.7\u03a9<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-TW-axis_15deg_-2db_Revelator-Two-Monitor.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-705\" title=\"Freq - TW-axis_15deg_-2db_Revelator Two - Monitor\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-TW-axis_15deg_-2db_Revelator-Two-Monitor.jpg\" alt=\"\" width=\"476\" height=\"362\" \/><\/a><\/p>\n<p><strong>-2db<\/strong><\/p>\n<p>R1 = 4.7\u03a9<\/p>\n<p>R2 = 3.9\u03a9<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-TW-axis_15deg_+2db_Phase_Revelator-Two-Monitor.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-717\" title=\"Freq - TW-axis_15deg_Phase_Revelator Two - Monitor\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-TW-axis_15deg_+2db_Phase_Revelator-Two-Monitor.jpg\" alt=\"\" width=\"476\" height=\"362\" \/><\/a>The phase integration between the two drivers are exceptional.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>I personally use the 0db reference or the -1db tweeter level. On well made recordings the 0db setting really shines with a huge sound stage. With\u00a0 bad recordings I prefer the -1db setting, but it all comes down to personal preferences and which equipment chain you using. The nice individual driver phase integration is maintained\u00a0 through out all the tweeter level settings. The cross-over frequency shifts a bit between the different settings, but is nothing to worry about.<\/p>\n<p>2700Hz = +2db<\/p>\n<p>2800Hz = +1db<\/p>\n<p>2900Hz = 0db &#8220;Reference&#8221;<\/p>\n<p>3000Hz = -1db<\/p>\n<p>3100Hz = -2db<\/p>\n<p>&nbsp;<\/p>\n<h3><span style=\"color: #3366ff;\">Impedance measurements:<\/span><\/h3>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">\u00a0<a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Imp-BR.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-874\" title=\"Imp BR\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Imp-BR.jpg\" alt=\"\" width=\"773\" height=\"434\" \/><\/a>Green = Left loudspeaker<\/p>\n<p style=\"text-align: center;\">Blue = Right loudspeaker<\/p>\n<p style=\"text-align: left;\">The impedance chart shows the bass-reflex <strong>option 2<\/strong> with a Fb of 39Hz. The impedance minimum is 3.9Ohm at 200Hz. This is a 4Ohm system which should be a relative easy load for a 4Ohm capable amplifier.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Imp-BR-imp-corr1.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-876\" title=\"Imp BR imp corr\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Imp-BR-imp-corr1.jpg\" alt=\"\" width=\"773\" height=\"434\" srcset=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Imp-BR-imp-corr1.jpg 1366w, https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Imp-BR-imp-corr1-300x168.jpg 300w, https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Imp-BR-imp-corr1-1024x575.jpg 1024w, https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Imp-BR-imp-corr1-500x281.jpg 500w\" sizes=\"auto, (max-width: 773px) 100vw, 773px\" \/><\/a>Green = Left loudspeaker<\/p>\n<p style=\"text-align: center;\">Blue = Right loudspeaker<\/p>\n<p style=\"text-align: left;\">The impedance chart shows the bass-reflex <strong>option 2<\/strong> with a Fb of 39Hz and using the system impedance compensation circuit. The impedance minimum is 3.9Ohm at 200Hz. The impedance is between 4-6Ohm through out the entire frequency response. This option is suitable for tube-amp users.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Imp-CB-imp-corr.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-877\" title=\"Imp CB imp corr\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Imp-CB-imp-corr.jpg\" alt=\"\" width=\"773\" height=\"434\" \/><\/a>Green = Left loudspeaker<\/p>\n<p style=\"text-align: center;\">Blue = Right loudspeaker<\/p>\n<p style=\"text-align: left;\">The impedance chart shows the closed box <strong>option 1<\/strong> with a Fb of 64Hz and using the system impedance compensation circuit. The impedance minimum is 3.9Ohm at 200Hz. The impedance is between 4-6Ohm through out the entire frequency response. This option is suitable for tube-amp users.<\/p>\n<h3><span style=\"color: #3366ff;\"><strong>Frequency measurements:<\/strong><\/span><\/h3>\n<p>&nbsp;<\/p>\n<p>If nothing else is noted in the comments, the following frequency measurements of the finished loudspeaker are made at a 2m distance at tweeter height and for the 0db tweeter reference level.<\/p>\n<p>All frequency response charts are presented in a 50db scale and with 1\/24 octave smoothing.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-15deg-0db-compare-1L+2R.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-745\" title=\"Freq 15deg 0db compare 1L+2R\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-15deg-0db-compare-1L+2R.jpg\" alt=\"\" width=\"930\" height=\"295\" \/><\/a><strong>Frequency response 15deg off-axis, reference tweeter level\u00a0 (80db) scale :<\/strong><\/p>\n<p style=\"text-align: left;\">Blue = Left loudspeaker<\/p>\n<p style=\"text-align: left;\">Red = Right loudspeaker<\/p>\n<p style=\"text-align: left;\">In the higher frequencies they are a close, but not a perfect match due to the\u00a0 frequency differences between the two tweeter samples. I personally can&#8217;t hear the difference between the left and right speaker so I guess when the room interaction is added the frequency response difference evens out.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-15deg-0db-system-2R.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-754\" title=\"Freq 15deg 0db system 2R\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-15deg-0db-system-2R.jpg\" alt=\"\" width=\"930\" height=\"295\" \/><\/a><strong>System frequency response 15deg off-axis, reference tweeter level :<\/strong><\/p>\n<p style=\"text-align: left;\">Right loudspeaker. Smooth driver roll-offs and a nice extended high frequency response. A small baffle diffraction is noticable at 3.5kHz. The dip between 6-9kHz is a characteristic of the ScanSpeak D2608\/913000 driver unit.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-15deg-0db-system-inv-2R.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-755\" title=\"Freq 15deg 0db system inv 2R\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-15deg-0db-system-inv-2R.jpg\" alt=\"\" width=\"930\" height=\"295\" \/><\/a><strong>System frequency response 15deg off-axis, reference tweeter level :<\/strong><\/p>\n<p style=\"text-align: left;\">Right loudspeaker connected with a tweeter reverse polarity indicates a nice phase integration between the drivers and shows a approximate cross-over frequency of 2900Hz.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-15deg-0db-system-front-grill.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-758\" title=\"Freq 15deg 0db system front grill\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-15deg-0db-system-front-grill.jpg\" alt=\"\" width=\"930\" height=\"295\" \/><\/a><strong>System frequency response 15deg off-axis, reference tweeter level :<\/strong><\/p>\n<p style=\"text-align: left;\">Blue = Without front grill attached<\/p>\n<p style=\"text-align: left;\">Red = With front grill attached<\/p>\n<p style=\"text-align: left;\">I would recommend listening to this loudspeaker without the front grills attached even though it doesn&#8217;t affect the frequency response to badly.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-0-15-30deg-0db-system.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-760\" title=\"Freq 0-15-30deg 0db system\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-0-15-30deg-0db-system.jpg\" alt=\"\" width=\"930\" height=\"295\" \/><\/a><strong>System frequency response reference tweeter level :<\/strong><\/p>\n<p style=\"text-align: left;\">Blue = On-axis<\/p>\n<p style=\"text-align: left;\">Red = 15deg off-axis<\/p>\n<p style=\"text-align: left;\">Green = 30deg off-axis<\/p>\n<p style=\"text-align: left;\">Left loudspeaker. Nice extended off-axis response.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-15-30-45deg-0db-system.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-761\" title=\"Freq 15-30-45deg 0db system\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Freq-15-30-45deg-0db-system.jpg\" alt=\"\" width=\"930\" height=\"295\" \/><\/a><strong>System frequency response reference tweeter level :<\/strong><\/p>\n<p style=\"text-align: left;\">Blue = 15deg off-axis<\/p>\n<p style=\"text-align: left;\">Red = 30deg off-axis<\/p>\n<p style=\"text-align: left;\">Green = 45deg off-axis<\/p>\n<p style=\"text-align: left;\">Left loudspeaker. Even at a 45deg off-axis the tweeter reaches 15kHz.<\/p>\n<h3 style=\"text-align: left;\"><span style=\"color: #3366ff;\">Distortion measurement:<\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\"><strong>Measurement setup:<\/strong><\/span><\/p>\n<ul>\n<li>Tweeter-axis near-field measurement at 20cm<\/li>\n<li>Frequency Range: 200-10000Hz<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>The distortion measurements are done in near-field and the amplifier output level was adjusted for the loudspeaker so that the fundamental is 85dB at 1m and 90dB at 1m. This setting simulates normal to medium-high listening levels.<\/p>\n<p><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/System-1L-TW-axis-20cm-85db_Filter.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1172\" title=\"System-1L TW-axis -- 20cm 85db_Filter\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/System-1L-TW-axis-20cm-85db_Filter.jpg\" alt=\"\" width=\"463\" height=\"266\" srcset=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/System-1L-TW-axis-20cm-85db_Filter.jpg 1234w, https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/System-1L-TW-axis-20cm-85db_Filter-300x172.jpg 300w, https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/System-1L-TW-axis-20cm-85db_Filter-1024x590.jpg 1024w\" sizes=\"auto, (max-width: 463px) 100vw, 463px\" \/><\/a><\/p>\n<p>Left loudspeaker:<\/p>\n<p>85dB at 1m<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/System-1L-TW-axis-20cm-90db_Filter.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1176\" title=\"System-1L TW-axis -- 20cm 90db_Filter\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/System-1L-TW-axis-20cm-90db_Filter.jpg\" alt=\"\" width=\"463\" height=\"266\" srcset=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/System-1L-TW-axis-20cm-90db_Filter.jpg 1234w, https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/System-1L-TW-axis-20cm-90db_Filter-300x172.jpg 300w, https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/System-1L-TW-axis-20cm-90db_Filter-1024x590.jpg 1024w\" sizes=\"auto, (max-width: 463px) 100vw, 463px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Left loudspeaker:<\/p>\n<p>90dB at 1m<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>The Revelation Two &#8211; Monitor has very low distortion in the critical upper-mid and lower-treble area (1-3kHz).<\/p>\n<p>Overall the loudspeaker has a very low odd-order harmonic distortion, but relatively high distortion below 1000Hz of the harmless 2<sup>nd<\/sup> order harmonic with peaks at 475Hz and 900Hz.<\/p>\n<p>I think the elevated 2<sup>nd<\/sup> order distortion is a part of the unique mid-range sound characteristics of the sliced paper cone used in the ScanSpeak Revelator mid-woofers.<\/p>\n<p>The ScanSpeak Revelator mid-woofer has a very nice presence and clarity and with a very open sound characteristics.<\/p>\n<p>For further details see:<\/p>\n<p><a href=\"https:\/\/www.audioexcite.com\/?page_id=451\">Distortion measurements Revelation Two &#8211; Monitor<\/a><\/p>\n<h3><span style=\"color: #3366ff;\">Component list:<\/span><\/h3>\n<p><a href=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Component-list21.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" title=\"Component list2\" src=\"https:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/Component-list21.jpg\" alt=\"\" width=\"646\" height=\"522\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>At an approximate cost of 1150 US$ a pair it&#8217;s not exactly a super cheap stand-mount loudspeaker , but it can be built cheaper if not using premium cross-over parts, binding posts and prefabricated enclosures. However I can strongly recommend Mundorf cross-over parts which sounds very good with these drivers.<\/p>\n<p>It might be possible to save about 200$ by building the enclosures by yourself, but in my opinion the Dayton cabinets are well worth the money.<\/p>\n<h3><span style=\"color: #3366ff;\"><strong>Summary:<\/strong><\/span><\/h3>\n<p>&nbsp;<\/p>\n<p>The <span style=\"color: #666699;\"><strong>Revelation Two &#8211; Monitor<\/strong><\/span> is a medium sized stand-mount loudspeaker using two very high quality loudspeaker driver units from ScanSpeak. The design offers several tuning options in order to satisfy personal preferences and sound characteristics.<\/p>\n<p>At a price of 1000-1200 US$ a pair it&#8217;s not exactly a cheap DIY design, but the sound and performance delivered from this loudspeaker usually costs several times more on the commercial market.<\/p>\n<p><strong>Sound description:<\/strong><\/p>\n<p>It is very hard to describe how a loudspeaker sounds like since it always will be a subjectively opinion, but here is my perception of the sound.<\/p>\n<p>Despite the name &#8220;Monitor&#8221; the <span style=\"color: #666699;\"><strong>Revelation Two &#8211; Monitor<\/strong><\/span> isn&#8217;t a &#8220;Studio Monitor&#8221; used for near-field listening, but it brings out the details from recordings just like a &#8220;Studio Monitor&#8221; and it do so without ever sounding analytical cold, harsh or edgy.<\/p>\n<p>The loudspeaker sounds bigger than its size indicates and it has a nice low end extension which reaches to the low 30:ies when room gain is added. The mid-range is\u00a0 wonderful natural\u00a0 and has an open character that doesn&#8217;t sound compressed or hard even on less good recordings. The tweeter is soft sounding with a nice vivid presentation and top-end sparkle.<\/p>\n<p>When playing a well made recording the loudspeaker really shines up and present you with a very nice 3D perspective with a generous width, height and depth.<\/p>\n<p><strong>Recommended loudspeaker placement:<\/strong><\/p>\n<p>\u2022 No or little toe-in. Let the speakers play straight forward.<br \/>\n\u2022 &gt;0.5 meters from back wall.<br \/>\n\u2022 2 meters apart.<br \/>\n\u2022 2.5 meters listening distance<\/p>\n<p>The loudspeaker is optimized for a listening distance of 2.5m, but everything between 2-3.5m works fine depending on the room. As always it pays off to test different loudspeaker placements and see what fits the room and personal preferences the best.<\/p>\n<h3><span style=\"color: #3366ff;\"><strong>Technical Specification:<\/strong><\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #666699;\"><strong>RevelationTwo &#8211; Monitor<\/strong><\/span><br \/>\n<strong>Type:<\/strong> Two-way medium sized stand-mount loudspeaker<br \/>\n<strong>Enclosure type:<\/strong> Bass-reflex or optional closed box<br \/>\n<strong>Woofer driver unit:<\/strong> 5,5\u201d Sliced paper cone. ScanSpeak 15W\/4531G00<br \/>\n<strong>Tweeter driver unit:<\/strong> 1\u201d Soft dome. ScanSpeak D2608\/913000<br \/>\n<strong>Cross-over frequency:<\/strong> 2900Hz.<br \/>\n<strong>Cross-over function:<\/strong> LR fourth-order acoustically, second-order electrically (wo) and third-order electrically (tw)<br \/>\n<strong>Frequency response:<\/strong> 35-25000Hz -6\/+0 db (on-axis)<br \/>\n<strong>Sensitivity:<\/strong> 86db 1m\/2.83v<br \/>\n<strong>Impedance:<\/strong> 4 Ohm<br \/>\n<strong>Enclosure volume:<\/strong> 13 liter internal net volume<br \/>\n<strong>Weight:<\/strong> 10,5kg (23,15lb)<br \/>\n<strong>Enclosure dimensions (height x width x depth):<\/strong> 356x216x317mm (14&#8243;x8.5&#8243;x12.5&#8243;)<\/p>\n<h3><\/h3>\n<p>&nbsp;<\/p>\n<p>I&#8217;m happy to accept any kind of donations!<\/p>\n<p>Thank you!<\/p>\n<p><em>\/G\u00f6ran<\/em><\/p>\n<p><em>Author of the &#8220;AudioExcite Loudspeaker Design&#8221; website<\/em><\/p>\n<form id=\"donateplusform\" action=\"https:\/\/www.paypal.com\/cgi-bin\/webscr\" method=\"post\"><input type=\"hidden\" id=\"cmd\" name=\"cmd\" value=\"_donations\">\n\t\t\t<p class=\"donate_amount\"><label for=\"amount\">Donation Amount:<\/label><br \/><input type=\"text\" name=\"amount\" id=\"amount\" value=\"0\" \/> <small>(Currency: EUR)<\/small><\/p>\n<input type=\"hidden\" name=\"notify_url\" value=\"https:\/\/www.audioexcite.com\/wp-content\/plugins\/donate-plus\/paypal.php\">\n<input type=\"hidden\" name=\"item_name\" value=\"Donation to AudioExcite\">\n<input type=\"hidden\" name=\"business\" value=\"info@audioexcite.com\">\n<input type=\"hidden\" name=\"lc\" value=\"US\">\n<input type=\"hidden\" name=\"no_note\" value=\"1\">\n<input type=\"hidden\" name=\"no_shipping\" value=\"1\">\n<input type=\"hidden\" name=\"rm\" value=\"1\">\n<input type=\"hidden\" name=\"return\" value=\"https:\/\/www.audioexcite.com\/?page_id=587&amp;thankyou=true\">\n<input type=\"hidden\" name=\"currency_code\" value=\"EUR\">\n<input type=\"hidden\" name=\"bn\" value=\"PP-DonationsBF:btn_donateCC_LG.gif:NonHosted\">\n<p class=\"submit\"><input type=\"image\" src=\"http:\/\/www.audioexcite.com\/wp-content\/uploads\/2011\/10\/paypal-donate.gif\" border=\"0\" name=\"submit\" alt=\"\">\n<img loading=\"lazy\" decoding=\"async\" alt=\"\" border=\"0\" src=\"https:\/\/www.paypal.com\/en_US\/i\/scr\/pixel.gif\" width=\"1\" height=\"1\"><\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Concept: &nbsp; Revelation Two &#8211; Monitor is a medium sized 2-way stand-mount loudspeaker for small\u00a0 to medium sized listening rooms. It offers several tuning options like two different bass-reflex tunings as well as a closed box version. The tweeter can be fine tuned to five different levels according to personal preferences and taste. Loudspeaker driver [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":36,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-59","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.audioexcite.com\/index.php?rest_route=\/wp\/v2\/pages\/59","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.audioexcite.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.audioexcite.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.audioexcite.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.audioexcite.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=59"}],"version-history":[{"count":32,"href":"https:\/\/www.audioexcite.com\/index.php?rest_route=\/wp\/v2\/pages\/59\/revisions"}],"predecessor-version":[{"id":966,"href":"https:\/\/www.audioexcite.com\/index.php?rest_route=\/wp\/v2\/pages\/59\/revisions\/966"}],"up":[{"embeddable":true,"href":"https:\/\/www.audioexcite.com\/index.php?rest_route=\/wp\/v2\/pages\/36"}],"wp:attachment":[{"href":"https:\/\/www.audioexcite.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=59"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}